While keeping an eye to those traditions, Shankar’s own career has been marked by the new musical territory she is able to explore with the instrument. Only seven years old when she first entered the world of music, Shankar had a front row seat to her late father Ravi Shankar’s lifelong work of spreading traditional Indian music to the world, and the profound effect it could have on audiences. Because of that it seems to have an indelible association with elements of spirituality that seem to affect people very deeply.” “It also has references in people’s psyche of that time in popular culture - when it really first hit global recognition through my father’s work. “At base level I think it is a beautiful instrument and I think it has got an extremely emotional and evocative sound,” she says of the sitar’s enduring appeal. For western audiences, the sitar might still convey the spirituality and broadened outlooks ushered in by the summer of love, but Anoushka Shankar knows better than anyone that the centuries-old instrument still has plenty of room to surprise and innovate. There aren’t too many surnames in the world synonymous with a single instrument.
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